Penmachine

A few weeks ago I wrote about Les Paul, who died in mid-August at the age of 94. My podcast co-host Dave Chick and I decided that our next episode of Inside Home Recording would be a Les Paul special edition, dedicated to different aspects of Les's career, because as the inventor of multitracking and pioneer of solidbody electric guitars, he was so important to modern recording.

Tonight, we put that tribute episode (IHR #74, available as an enhanced AAC or audio-only MP3 podcast) online. In the process of putting it together, both Dave and I were astonished by how much Les Paul accomplished that we didn't even know about—most of it before we or any of our listeners were born.

I came to the conclusion, expressed in the our editorial at the end of the show, that Les was the single most important person in the history of modern recorded music—more important, on balance, than Thomas Edison or Leo Fender or Elvis or the Beatles or any of the other contenders.

You can listen to the show to find out if you agree. But it's indisputable that anywhere in the world where there is a microphone or a speaker, a Record button or a set of headphones—from every music studio or TV soundstage to every car stereo or iPod earbud, from every crummy punk dive bar to every high-end hip-hop nightclub, from the Amundsen-Scott outpost at the South Pole to the International Space Station—Les Paul played a part in making them what they are.

Labels: death, guitar, history, insidehomerecording, jazz, music, recording

Cross-posted from Inside Home Recording...

No one who performs popular music, or records music of any kind, hasn't been affected by Les Paul, the legendary guitarist, musical innovator, and inventor who died today at age 94.

Many people know him only for the solidbody electric guitar that bears his name—indeed, he hand-built his own solidbody electric years before that, but Gibson was uninterested in the design until rival Fender successfully sold similar concepts in the early 1950s. Still, Paul was not only a talented and prolific player (who continued a regular live gig in New York until very recently), but also a hit-making jazz and pop artist, as well as the inventor of multitrack recording and overdubbing, as well as tape delay and various phasing effects:

He was a constant tinkerer, heavily modifying even his own Les Paul guitars with customized electronics and switching, and often acting as his own producer, engineer, and tape operator. Every listener to Inside Home Recording, and every musician or recording enthusiast today, owes him a massive debt, and we'll all miss his talent and contributions.

Labels: death, insidehomerecording, jazz, music, recording

I've lost where I found these links, but they're good:

• NPR's list of 50 essential classical CDs. My one question: what, no recordings by Glenn Gould?
• A reader-driven top 100 jazz CDs. My one question: no Charlie Brown Christmas?

I'm no expert on either classical or jazz music. I guess that's who (okay, whom) those lists are for. It probably also explains why I think Gould and Vince Guaraldi should be on them.

Labels: cd, classical, jazz, music