Last October I reviewed three books about evolution: Neil Shubin's Your Inner Fish, Jerry Coyne's Why Evolution is True, and Richard Dawkins's The Greatest Show on Earth: The Evidence for Evolution. It was a long review, but pretty good, I think.
There's another long multi-book review just published too. This one's written by the above-mentioned Jerry Coyne (who will be in Vancouver for a talk on fruit flies this weekend), and it covers both Dawkins's book and a newer one, What Darwin Got Wrong, by Jerry Fodor and Massimo Piattelli-Palmarini, which has been getting some press.
Darwin got a lot of things wrong, of course. There were a lot of things he didn't know, and couldn't know, about Earth and life on it—how old the planet actually is (4.6 billion years), that the continents move, that genes exist and are made of DNA, the very existence of radioactivity or of the huge varieties of fossils discovered since the mid-19th century.
It took decades to confirm, but Darwin was fundamentally right about evolution by natural selection. Yet that's where Fodor and Piattellii-Palmarini think he was wrong. Dawkins (and Coyne) disagree, siding with Darwin—as well as almost all the biologists working today or over at least the past 80 years (though apparently not Piattellii-Palmarini).
I'd encourage you to read the whole review at The Nation, but to sum up Coyne's (and others') analysis of What Darwin Got Wrong, Fodor (a philosopher) and Piattelli-Palmarini (a molecular biologist and cognitive scientist) seem to base their argument on, of all things, word games. They don't offer religious or contrary scientific arguments, nor do they dispute that evolution happens, just that natural selection, as an idea, is somehow a logical fallacy.
Here's how Coyne tries to digest it:
If you translate [Fodor and Piattelli-Palmarini's core argument] into layman's English, here's what it says: "Since it's impossible to figure out exactly which changes in organisms occur via direct selection and which are byproducts, natural selection can't operate." Clearly, [they] are confusing our ability to understand how a process operates with whether it operates. It's like saying that because we don't understand how gravity works, things don't fall.
I've read some excerpts of the the book, and it also appears to be laden with eumerdification: writing so dense and jargon-filled it seems to be that way to obscure rather than clarify. I suspect Fodor and Piattelli-Palmarini might have been so clever and convoluted in their writing that they even fooled themselves. That's a pity, because on the face of it, their book might have been a valuable exercise, but instead it looks like a waste of time.
Coyne, by the way, really likes Dawkins's book, probably more than I did. I certainly think it's a more worthwhile and far more comprehensible read.
Labels: books, controversy, darwin, evolution, review, science
I've tried to figure out why the escalating sex abuse scandal in the Catholic Church is making me so angry. I mean, there's the obvious stuff: some priests and other Church officials have been getting away with the rape and beating of children for decades. And much of the Church hierarchy and bureaucracy, including the man who is now Pope, has been working hard to cover it all up, often with the tacit assistance of governments and other civil authorities.
A few of my friends and acquaintances are Catholics, but as far as I know none of them have been victims of these monsters—which is a relief. And I'm not only not Catholic, I'm not Christian or religious at all, but a happy atheist. However, I'm not gloating about the Catholic scandals, in some sort of twisted "I told you so" way. I'm sad and viscerally infuriated, in a way I hope many Catholics are, and quite a few do seem to be. Occasionally, learning new details makes me want to vomit. (Then again, that's not hard to do in general these days.)
I think my fury is it's because it's been going on for so bloody long: not just the physical and sexual abuse, but public knowledge of it and Church inaction about it. More than 20 years ago, following the Mt. Cashel Orphanage sex-abuse scandal in Newfoundland, a friend of mine and his girlfriend (who weren't afraid of being a bit tasteless) came to a Halloween party dressed as a priest and an altar boy, respectively. Even in the 1980s, the concept of a molesting priest was so widespread that everyone at the party got the reference.
It's also been 12 years since the Canadian federal government began attempts to apologize for sexual and physical abuse of native students at residential schools run by the Anglican, United, and Roman Catholic churches across the country until the 1960s, and to compensate the victims financially. And that's just here in Canada.
There are, unfortunately, small proportions of sexual predators and sadists in positions of authority inside some institutions that care for children, including schools, hospitals, foster homes, summer camps, and so on—and also including churches and religious organizations outside Catholicism. And sometimes there are coverups. But once exposed, those coverups can, should, and usually do result in shame, dismissals, apologies, and criminal charges. Even decades after the events.
Many groups and individuals within the Roman Catholic Church have had integrity, trying to get the molesters fired, charged, and punished. Yet men of authority within the institution, throughout its hierarchy—from priests and bishops to archbishops, cardinals, and apparently right up to the Pope—have used its power, influence, and worldwide reach to deny, deflect, hide, obfuscate, and in many cases abet those of its members who abuse children.
Their priority seems to have been to protect their Church, and the pedophiles within it, at the expense of their victims, the most vulnerable and innocent of its billion members. When pressed by incontrovertible evidence and public pressure, those same authorities have released half-hearted and defensive apologies. The situation is abominable, and the scandal deserves to be global front-page news, as it has become in recent months.
The Catholic Church claims to be the highest possible moral authority on Earth. Of course, personally, I think that's ridiculous. The horrifying enormity of child abuse and coverup within the Church over decades—more likely centuries, if we're honest with ourselves—only reinforces my conviction.
Indeed, it's hard to think of crimes more vile. If the beating and rape of children—as well as covering up those acts and enabling them to continue—are not sins worthy of excommunication, and presumably hellfire in the afterlife, I don't understand what could be. So if Catholics intend to continue taking claims of moral authority seriously, they must demand some large-scale changes in their Church, and the Pope and his underlings must listen to and act on those demands.
Given the glacial pace of change in Rome, and the stupefying weight of dogma and doctrine and history, I'm not optimistic. But I also genuinely hope that I am wrong.
Labels: controversy, linkbait, news, politics, religion, sex
A few weeks ago, my daughter Marina, who's 12, asked me to start mentioning her by name on this website, and when I link to her blog, photos of her on Flickr, the new blog she just set up with her sister, and so on.
Until now, I've been pretty careful about just calling her "M" or "Miss M," because while I'm personally comfortable putting my own name and information on the Web, that's not a decision I should have been making for my kids, especially before they were able to understand what its implications are. (For similar reasons, here on the blog I generally refer to my wife by her nickname Air, at her request.)
But Marina has started to find that annoying, because when she searches for "Marina Miller," she nearly always finds other people instead. She's starting to build herself an online profile—and the first component of that is establishing her online existence.
I was online around that age too, but at the turn of the 1980s it was a very different thing. In fact, no one expected to be themselves: we all used pseudonyms, like CB radio handles. And it was a much smaller, geekier community—or rather, communities. I had no Internet access until the decade was over, so connections were local, and each bulletin board system (BBS) was its own island, accessed by dialup modem, often by one person at a time. The Web hadn't been invented, and the concept of a search engine or a perpetual index of my online life was incomprehensible.
On a recent episode of CBC Radio's "Spark," Danah Boyd, who researches these things, noted that today's adults often look at our online exposure in terms of what can go wrong, while our younger compatriots and children look at it in terms of its benefits, or what can go right. It's not that they don't care about privacy, but that they understand it differently.
Marina is now closer to adulthood than toddlerhood, and her younger sister, at 10, is not far behind. I think that's a bit hard for any parent to accept, but in the next few years both our daughters have to (and will want to) learn to negotiate the world, online and offline, on their own terms. Overprotective helicopter parenting is a temptation—or today, even an expectation—but it's counterproductive. Just like we all need to learn to walk to school by ourselves, we all need to learn how to live our lives and assess risks eventually. I'd rather not wait until my kids are 18 or 19 and only then let them sink or swim on their own.
I think I share the more optimistic view about being myself on the Web because, unlike many people over 40 today, I have been online since even before my teens, and I've seen both the benefits and the risks of being public there. I hope my experience can help Marina and her sister L (who hasn't yet asked me to go beyond her initial) negotiate that landscape in the next few years.
That is, if they continue to want my help!
Labels: blog, controversy, family, geekery, probability, web
Remember the crazy hype last year about "Ida," the beautifully preserved 47 million–year–old primate? The one I called a "cool fossil that got turned into a publicity stunt?"
It turns out that, yes, the original authors seem to have rushed their paper about Ida into publication, presumably in order to meet a deadline for a TV special. And even by the loosest definition of the term, Ida is no "missing link" whatsoever, and not closely related to humans. (Not that relatedness to humans is what should make a fossil important, mind you.)
So now, like Ardi, who's ten times younger, Ida is what it deserves to be: a fascinating set of remains from which we can learn many things, but not anything that fundamentally revolutionizes our understanding of primate evolution. And that's a good thing.
Labels: africa, controversy, evolution, history, science, television
I wanted to like the whole thing, I really did. I've turned into a total Winter Olympics fanboy in the past two weeks, and I watched it on TV and made my way to several of the Olympic sites. I cheered and cursed and got myself in knots over curling (curling?!) and snowboard cross and hockey and bobsleigh and speed skating, and even events where Canada wasn't in the medal running, like the men's 4x10 cross-country ski relay.
First, let me note that the Derek Miller playing guitar and singing with Eva Avila and Nikki Yanofsky early on was not me, though since the camera angle was pretty wide, I probably could have gotten some good mileage from pretending he was. But no, he's won Juno awards and is way more talented than I am.
Anyway, watching the Closing Ceremony on TV today with my family, I liked its tone, happy and respectful when it needed to be, delightfully cheeky beyond that:
Alas, the musical cavalcade during the finale was a disappointment. There is so much more diversity, talent, and power across the Canadian music scene, and much of it was on hand for the free LiveCity concerts during the course of the Games.
But not at the Closing Ceremony. Neil Young played "Long May You Run" as the flame was extinguished. Good job. k-os finished the evening with some of his distinctive and rousing hip-hop. Also good. In between, we got Nickelback, Avril Lavigne, Alanis Morissette, Simple Plan, Hedley, and Marie-Mai. All very mainstream, white, big-selling pop acts.
None of those acts, on their own, was particularly problematic. (Lots of people have a hate on for Nickelback, sure, but like the absent Céline Dion, they sell the records). However, all of them together reflected a profound lack of imagination.
The reaction among Canadians online, which had been mixed before that point, turned savage. Steven Page, former singer of the Barenaked Ladies (he or his old band should have been there), got in some of the best digs:
Entertainment Weekly piped up with, "Where is Rush? Be cool or be cast out, Canada..." Comments from my friends and other rank-and-file Twitter and Facebook users were less kind. At the end, my friend Ryan pointed me to Parveen Kaler, who summed it up with this:
Think about some of the other options: Sloan, Blue Rodeo, Spirit of the West, Stompin' Tom Connors, Arcade Fire, Jessie Farrell, Tegan and Sara, Matthew Good, Alexisonfire, Bruce Cockburn, Hot Hot Heat, K'Naan, The Trews, Paul Anka, D.O.A., Mother Mother, Skydiggers, Lights, Sarah Harmer, Robbie Robertson, Metric, Diana Krall, The Tragically Hip, Bedoin Soundclash, Jann Arden, The Guess Who, Divine Brown, Odds (with my friend and sometime co-musician Doug on bass), The Stills, 54-40, Sam Roberts, Cowboy Junkies, Colin James, Great Big Sea, Bif Naked, Wide Mouth Mason, The New Pornographers, Shania Twain, Feist, and I could go on. Wouldn't it have been nice to see some of them in the mix?
I'm not even including French Quebec, jazz, country, blues, metal, R&B, folk, reggae, bhangra, and hip-hop artists I don't know much about. Doubtless there's a huge list there too.
So, as with its opening counterpart, I loved the ceremony part of the Olympic Closing Ceremony, and all the staff and volunteers did great work bringing it together. For this fan of Canadian music, alas, its musical finale felt like a fizzle.
Fortunately, the two-week-long street party that several parts of Vancouver have become continues, especially after the big hockey gold medal yesterday afternoon. I bet some of those revelers are singing Nickelback songs too.
Labels: band, controversy, music, olympics, sports, television, vancouver
Not having seen or touched Apple's new iPad myself, I can't contribute much new to the vast conversation that has been swirling around this device over the past day. But I can say two things:
The key thing, I think, is that this is the first version of the device. My guess is that it will have legs, and that—as happened with the iPhone—whatever iPad is available in two or three years will have everyone forgetting the many complaints about today's version.
P.S. Oh, and this (via Jeff Croft).
Labels: apple, controversy, gadgets, geekery, imac, ipad, macbook
I've mused about death often enough on these blog pages, especially since I developed cancer in 2006 and it spread into my lungs since 2007, and now that it's gotten worse. I've also discussed my atheism and how that affects my attitude about death.
Some people think that without any belief in an afterlife, or a soul, or Heaven, death for me must be a scarier or emptier than for those who believe in such things—that somehow I must face death without comfort or solace. But that's not true. I have tried to explain it before, but yesterday blogger Greta Christina did a better job. She calls it "the difference between pessimism and realism," and it's worth a read, whatever you believe.
Labels: cancer, controversy, death, religion
In the spirit of the Pastafarian season, I'd like to say thank you to our friends Tara, Morgan, and Simone for a wonderful last-minute addition to our Christmas tree:
We're off to a European-style dinner with my side of the family tonight, Christmas Eve, before we join Air's side of the clan tomorrow. I hope you have as much fun as we will.
Labels: controversy, family, friends, holiday, humour
Last year, Old Navy tried making some unofficial Olympic clothing, but Vancouver's Olympic Organizing Committee (VANOC) and the International Olympic Committee shut that down because the jackets were too close to official trademarks for the upcoming Winter Olympics.
Now Vancouver yoga retailer Lululemon has tried a cheekier approach, releasing a line of clothes pushing the line of Olympic trademark infringement, without quite crossing it. The line is called the "Cool Sporting Event That Takes Place in British Columbia Between 2009 & 2011 Edition," which gave me a laugh.
I like the sporting events of the Winter Olympics, but VANOC and the IOC have been overzealous in emphasizing the business aspects of the event, rather than the sport. So I appreciate Lululemon's retail satire. The stuff looks good too, so I might buy some.
I wonder if it will be hard to get into Olympic events wearing the Lululemon clothes in February?
Labels: canada, clothing, controversy, money, olympics, politics, shopping, vancouver
British music site Musicradar recently published one of those visitor-voted lists of the 50 greatest guitar riffs (not solos, or rock songs) of all time. It's pretty much what you'd expect: heavy on the '70s, with plenty of Zeppelin, AC/DC, Metallica, Black Sabbath, and (being British) Radiohead, Muse, and such thrown in.
But I have to say that the top 10 is an interesting result, climbing from "Satisfaction" (number 10?!) through "Day Tripper," "Enter Sandman," "Back in Black," "Layla," "Smoke on the Water" (number 4?!), and "Whole Lotta Love" to "Sweet Child o' Mine" at number 2. Not a surprising list of candidates, though I wouldn't have predicted that order.
Number one, though, I would never have forecast in the top 10, never mind at the peak, even though I personally agree it's the right choice: Jimi Hendrix's "Voodoo Child (Slight Return)," from 1968. Here, watch the full psychedelicness:
Hendrix and his band basically jammed the song out in the studio while creating footage for a visiting film crew. The song as a piece is like a whole weather system, and it's hard to know exactly what Musicradar's users were voting for—is it Jimi's slinky, ominous solo wah-wah raindrops at the beginning, or the full booming open-string thunderstorm once the full band comes in?
It doesn't really matter. I think either one wins. Stevie Ray Vaughan, my favourite guitarist, used to play "Voodoo Child (Slight Return)" all the time, but even the best he could do was basically replicate Jimi nearly note-for-note.
Many music fans might know the song, but the riff certainly isn't among those people hum to themselves, like "Killing in the Name," "Sunshine of Your Love" or "Ticket to Ride." Certainly no beginning guitarist would attempt it, as they would "Satisfaction" or "Smoke on the Water" or "You Really Got Me," which is on the Musicradar list, but shamefully not in the top 10. I can't play a lick of it.
Yet "Voodoo Child" stands apart. (Joe Satriani called it "the greatest piece of electric guitar work ever recorded.") That main thundering riff is both separate from and weaved throughout the song—you never know when Jimi will drag it back out from the maelstrom. It's scary and beautiful and bluesy and futuristic—like Jimi himself in a few notes.
I think I'll go listen to it again.
P.S. Of course I have quibbles with the list too. Three riffs mysteriously missing are the Violent Femmes' "Blister in the Sun," Van Morrison's "Brown Eyed Girl," and of course Lynyrd Skynyrd's "Sweet Home Alabama." How did people miss that one?
Labels: controversy, guitar, history, linkbait, lists, music
Thank you everyone for your outpouring of support and more than 50 comments on my last post, about the resurgence of my cancer. I'm pleased to know so many of you are thinking about me and my family. But it's also a bit of a bummer to have that be the thing sitting at the top of my blog for days and days, so now on to something else.
While surfing around the Web in the past week, I've come across a few banner ads from TD Canada Trust, presumably targeted at me because I have a Canadian IP address. Here are a couple of examples:
They're pretty run-of-the-mill bank ads, except for one thing: the couples in them are all men. (Well, in the vertical one, I think they're both supposed to be men.) The ads are presumably aimed at gay couples—who, as you will recall, have been legally able to get married across Canada since 2005—but the photos are the only element specifically focused at them.
Clicking on the ads doesn't take you to any special place on the TD site; indeed, once you get there there are just single individuals in the trademark green TD armchair.
Fifteen years ago, IKEA received bomb threats when it included a same-sex couple in a TV ad. Even this year, the company faced controversy in Poland for a similar print campaign. Including male or female homosexual couples in non-gay media advertising (however innocuously) has long been a hot-button issue, especially in more conservative areas.
But look at what's happened here in Canada. Same-sex marriage has been legal for almost five years. Many of us old-school straight couples now know gay people who are married (and yes, some who have gotten divorced). For all of us, life has gone on as normal. Yes, I admit that for me, even in Vancouver, I still notice a gay couple holding hands or leading their young children down the street—it hasn't yet faded into the background completely. Obviously, neither have these TD Canada Trust ads.
But for TD on the Web, including gay couples in their ads seems to have become routine, just part of the regular range of ad campaigns. That's a good thing, and our Canadian experience in general is good evidence against those elsewhere who claim that legalizing same-sex marriage will somehow ruin life for the rest of us. Even the big old conservative Canadian banks don't think that anymore.
Labels: canada, controversy, family, media, politics, web
I wrote about it in much more detail back in February, but today is the actual 150th anniversary of Charles Darwin's On the Origin of Species, which was first published on November 24, 1859. That was more than two decades after Darwin first formulated his ideas about evolution by natural selection.
Some have called The Origin the most important book ever written, though of course many would dispute that. It's certainly up there on the list, and unequivocally on top for the field of biology. Darwin, along with others like Galileo, radically changed our perceptions about our place in the universe.
But Darwin was a scientist, not an inventor: he discovered natural selection, but did not create it. We honour him for being smart and tenacious, for being the first to figure out the basic mechanism that generated the history of life, and for writing eloquently and persuasively about it. His big idea was right (even if it took more than 70 years to confirm), but some of his conjectures and mechanisms turned out to be wrong.
He was also, from all accounts, an exceedingly nice man. Among towering intellects and important personalities, that's pretty unusual too.
Labels: anniversary, books, controversy, evolution, science
Next month, it will be exactly 150 years since Charles Darwin published On the Origin of Species in 1859. This year also marked what would have been his 200th birthday. Unsurprisingly, there are a lot of new books and movies and TV shows and websites about Darwin and his most important book this year.
Of the books, I've bought and read the three of the highest-profile ones: Neil Shubin's Your Inner Fish (actually published in 2008), Jerry Coyne's Why Evolution is True, and Richard Dawkins's The Greatest Show on Earth: The Evidence for Evolution. They're all written by working (or, in Dawkins's case, officially retired) evolutionary biologists, but are aimed at a general audience, and tell compelling stories of what we know about the history of life on Earth and our part in it. I also re-read my copy of the first edition of the Origin itself, as well as legendary biologist Ernst Mayr's 2002 What Evolution Is, a few months ago.
Aside from the Darwin anniversaries, I wanted to read the three new books because a lot has changed in the study of evolution since I finished my own biology degree in 1990. Or, I should say, not much has changed, but we sure know a lot more than we did even 20 years ago. As with any strong scientific idea, evidence continues accumulating to reinforce and refine it. When I graduated, for instance:
...and so on. Perhaps most shocking in hindsight, back in 1990 religious fundamentalism of all stripes seemed to be on the wane in many places around the world. By association, creationism and similar world views that ignore or deny that biological evolution even happens seemed less and less important.
Or maybe it just looked that way to me as I stepped out of the halls of UBC's biology buildings. After all, whether studying behavioural ecology, human medicine, cell physiology, or agriculture, no one there could get anything substantial done without knowledge of evolution and natural selection as the foundations of everything else.
The books by Shubin, Coyne, and Dawkins are not only welcome and useful in 2009, they are necessary. Because unlike in other scientific fields—where even people who don't really understand the nature of electrons or fluid dynamics or organic chemistry still accept that electrical appliances work when you turn them on, still fly in planes and ride ferryboats, and still take synthesized medicines to treat diseases or relieve pain—there are many, many people who don't think evolution is true.
No physicians must write books reiterating that, yes, bacteria and viruses are what spread infectious diseases. No physicists have to re-establish to the public that, honestly, electromagnetism is real. No psychiatrists are compelled to prove that, indeed, chemicals interacting with our brain tissues can alter our senses and emotions. No meteorologists need argue that, really, weather patterns are driven by energy from the Sun. Those things seem obvious and established now. We can move on.
But biologists continue to encounter resistance to the idea that differences in how living organisms survive and reproduce are enough to build all of life's complexity—over hundreds of millions of years, without any pre-existing plan or coordinating intelligence. But that's what happened, and we know it as well as we know anything.
If the Bible or the Qu'ran is your only book, I doubt much will change your mind on that. But many of the rest of those who don't accept evolution by natural selection, or who are simply unsure of it, may have been taught poorly about it back in school—or if not, they might have forgotten the elegant simplicity of the concept. Not to mention the huge truckloads of evidence to support evolutionary theory, which is as overwhelming (if not more so) and more immediate than the also-substantial evidence for our theories about gravity, weather forecasting, germs and disease, quantum mechanics, cognitive psychology, or macroeconomics.
So, if these three biologists have taken on the task of explaining why we know evolution happened, and why natural selection is the best mechanism to explain it, how well do they do the job? Very well, but also differently. The titles tell you.
Shubin's Your Inner Fish is the shortest, the most personal, and the most fun. Dawkins's The Greatest Show on Earth is, well, the showiest, the biggest, and the most wide-ranging. And Coyne's Why Evolution is True is the most straightforward and cohesive argument for evolutionary biology as a whole—if you're going to read just one, it's your best choice.
However, of the three, I think I enjoyed Your Inner Fish the most. Author Neil Shubin was one of the lead researchers in the discovery and analysis of Tiktaalik, a fossil "fishapod" found on Ellesmere Island here in Canada in 2004. It is yet another demonstration of the predictive power of evolutionary theory: knowing that there were lobe-finned fossil fish about 380 million years ago, and obviously four-legged land dwelling amphibian-like vertebrates 15 million years later, Shubin and his colleagues proposed that an intermediate form or forms might exist in rocks of intermediate age.
Ellesmere Island is a long way from most places, but it has surface rocks about 375 million years old, so Shubin and his crew spent a bunch of money to travel there. And sure enough, there they found the fossil of Tiktaalik, with its wrists, neck, and lungs like a land animal, and gills and scales like a fish. (Yes, it had both lungs and gills.) Shubin uses that discovery to take a voyage through the history of vertebrate anatomy, showing how gill slits from fish evolved over tens of millions of years into the tiny bones in our inner ear that let us hear and keep us balanced.
Since we're interested in ourselves, he maintains a focus on how our bodies relate to those of our ancestors, including tracing the evolution of our teeth and sense of smell, even the whole plan of our bodies. He discusses why the way sharks were built hundreds of millions of years ago led to human males getting certain types of hernias today. And he explains why, as a fish paleontologist, he was surprisingly qualified to teach an introductory human anatomy dissection course to a bunch of medical students—because knowing about our "inner fish" tells us a lot about why our bodies are this way.
Richard Dawkins and Jerry Coyne tell much bigger stories. Where Shubin's book is about how we people are related to other creatures past and present, the other two seek to explain how all living things on Earth relate to each other, to describe the mechanism of how they came to the relationships they have now, and, more pointedly, to refute the claims of people who don't think those first two points are true.
Dawkins best expresses the frustration of scientists with evolution-deniers and their inevitable religious motivations, as you would expect from the world's foremost atheist. He begins The Greatest Show on Earth with a comparison. Imagine, he writes, you were a professor of history specializing in the Roman Empire, but you had to spend a good chunk of your time battling the claims of people who said ancient Rome and the Romans didn't even exist. This despite those pesky giant ruins modern Romans have had to build their roads around, and languages such as Italian, Spanish, Portuguese, French, German, and English that are obviously derived from Latin, not to mention the libraries and museums and countrysides full of further evidence.
He also explains, better than anyone I've ever read, why various ways of determining the ages of very old things work. If you've ever wondered how we know when a fossil is 65 million years old, or 500 million years old, or how carbon dating works, or how amazingly well different dating methods (tree ring information, radioactive decay products, sedimentary rock layers) agree with one another, read his chapter 4 and you'll get it.
Alas, while there's a lot of wonderful information in The Greatest Show on Earth, and many fascinating photos and diagrams, Dawkins could have used some stronger editing. The overall volume comes across as scattershot, assembled more like a good essay collection than a well-planned argument. Dawkins often takes needlessly long asides into interesting but peripheral topics, and his tone wanders.
Sometimes his writing cuts precisely, like a scalpel; other times, his breezy footnotes suggest a doddering old Oxford prof (well, that is where he's been teaching for decades!) telling tales of the old days in black school robes. I often found myself thinking, Okay, okay, now let's get on with it.
On the other hand, Jerry Coyne strikes the right balance and uses the right structure. On his blog and in public appearances, Coyne is (like Dawkins) a staunch opponent of religion's influence on public policy and education, and of those who treat religion as immune to strong criticism. But that position hardly appears in Why Evolution is True at all, because Coyne wisely thinks it has no reason to. The evidence for evolution by natural selection stands on its own.
I wish Dawkins had done what Coyne does—noting what the six basic claims of current evolutionary theory are, and describing why real-world evidence overwhelmingly shows them all to be true. Here they are:
The rest of Coyne's book, in essence, fleshes those claims and the evidence out. That's almost it, and that's all it needs to be. He recounts too why, while Charles Darwin got all six of them essentially right back in 1859, only the first three or four were generally accepted (even by scientists) right away. It took the better part of a century for it to be obvious that he was correct about natural selection too, and even more time to establish our shared common ancestry with all plants, animals, and microorganisms.
Better than other books about evolution I've read, Why Evolution is True reveals the relentless series of tests that Darwinism has been subjected to, and survived, as new discoveries were made in astronomy, geology, physics, physiology, chemistry, and other fields of science. Coyne keeps pointing out that it didn't have to be that way. Darwin was wrong about quite a few things, but he could have been wrong about many more, and many more important ones.
If inheritance didn't turn out to be genetic, or further fossil finds showed an uncoordinated mix of forms over time (modern mammals and trilobites together, for instance), or no mechanism like plate tectonics explained fossil distributions, or various methods of dating disagreed profoundly, or there were no imperfections in organisms to betray their history—well, evolutionary biology could have hit any number of crisis points. But it didn't.
Darwin knew nothing about some of these lines of evidence, but they support his ideas anyway. We have many more new questions now too, but they rest on the fact of evolution, largely the way Darwin figured out that it works.
Facts, like life, survive the onslaughts of time. Opponents of evolution by natural selection have always pointed to gaps in our understanding, to the new questions that keep arising, as "flaws." But they are no such thing: gaps in our knowledge tell us where to look next. Conversely, saying that a god or gods, some supernatural agent, must have made life—because we don't yet know exactly how it happened naturally in every detail—is a way of giving up. It says not only that there are things we don't know, but things we can never learn.
Some of us who see the facts of evolution and natural selection, much the way Darwin first described them, prefer not to believe things, but instead to accept them because of supporting scientific evidence. But I do believe something: that the universe is coherent and comprehensible, and that trying to learn more about it is worth doing for its own sake.
In the 150 years since the Origin, people who believed that—who did not want to give up—have been the ones who helped us learn who we, and the other organisms who share our planet, really are. Thousands of researchers across the globe help us learn that, including Dawkins exploring how genes, and ideas, propagate themselves; Coyne peering at Hawaiian fruit flies through microscopes to see how they differ over generations; and Shubin trekking to the Canadian Arctic on the educated guess that a fishapod fossil might lie there.
The writing of all three authors pulses with that kind of enthusiasm—the urge to learn the truth about life on Earth, over more than 3 billion years of its history. We can admit that we will always be somewhat ignorant, and will probably never know everything. Yet we can delight in knowing there will always be more to learn. Such delight, and the fruits of the search so far, are what make these books all good to read during this important anniversary year.
Labels: anniversary, books, controversy, evolution, religion, review, science
First, let's get something out of the way: the term missing link has long been useless, especially in human palaeontology. That's reinforced by this week's publication of a special issue of the journal Science, focusing on the 4.4-million-year-old skeleton of Ardipithecus ramidus, nicknamed "Ardi."
Chimpanzees are the closest living relative to human beings in the world, but our common ancestor lived a long time ago—at least 6 million years, likely more. When Charles Darwin proposed, some 150 years ago, that the fossil links between humans and chimps were likely to be found in Africa, he was right, but at the time those links really were missing.
It took a few decades until the first Homo erectus fossils were found in Asia. Since then, palaeontologists have found many different skeletons and skeletal parts of Homo, Paranthropus, and Australopithecus, with the oldest, as predicted, all in Africa. We've been filling in our side of the chimp-human family tree for over a century. (The chimpanzee lineage has been more difficult, probably because their ancestors' forest habitats are less prone to preserving fossils—and we're less prone to paying as much attention to it too.)
So it's been a long time since the links were missing, and the term missing link is now more misleading than helpful. Like "Ida," the 47-million-year-old primate revealed with too much hype earlier this year, "Ardi" is no missing link, but she is another fascinating fossil showing interesting things about our ancestry. Most notably, she walked upright as we do, but had a much smaller brain, more like other apes—as well as feet that remained better for climbing trees than ours.
None of that should be shocking. We shouldn't expect any common ancestor of chimps and humans to be more like either one of us, since both lineages have kept evolving these past 6 million years. Ardi isn't a common ancestor—she's more closely related to humans than to chimps, and accordingly shows more human characteristics (or, perhaps better, we show characteristics more like hers), like bipedal walking and flexible wrists. That's extremely cool.
Also interestingly, "Ardi" is not new. It's taken researchers more than 15 years to analyze her, and similar fossils found nearby in Ethiopa's Afar desert. Simply teasing the extremely fragile, powdery fossil materials out of the soil without destroying them took years. Science can sometimes be a painstaking process, not for those who lack patience.
Labels: africa, controversy, evolution, history, science
Today is International Blasphemy Day (of course there are a Facebook page and group). The event is held on the anniversary of the 2005 publication in Denmark of those infamous cartoons of the Prophet Muhammad. Subversive cartoonist Robert Crumb is coincidentally in on the action this year too, with his illustrated version of the Book of Genesis.
Blasphemy Day isn't aimed merely at Islam or Christianity, but at all and any religions and sects that include the concepts of blasphemy, apostasy, desecration, sacrilege, and the like. "Ideas don't need rights," goes the tagline, "people do."
While my grandfather was a church musician, and my parents had me baptized and took me to services for a short while as a youngster, I've never been religious, so no doubt I blaspheme regularly without even thinking about it. I've written plenty about religion on this blog in the past few years, often blasphemously in someone's opinion, I'm sure. In 2007 I wrote my preferred summary of my attitude:
The beauty of a globular cluster or a diatom, the jagged height of a mountain or the depth of geological time—to me, these are natural miracles, not supernatural ones.
In that same post, I also wrote tangentially about blasphemy:
...given the scope of this universe, and any others that might exist, why would any god or gods be so insecure as to require regulated tributes from us in order to be satisifed with their accomplishments?
If the consequences—imposed by humans against each other, by the way—weren't so serious in so many places, the idea of blasphemy would be very funny. Even if there were a creator (or creators) of the Universe, how could anything so insignificant as a person, or even the whole population of a miniscule planet, possibly insult it?
We're talking about the frickin' Universe here. (Sorry, should be properly blasphemous: the goddamned Universe.) You know, 13.7 billion years old? Billions of galaxies, with billions of stars each? That one? Anything happening here on Earth is, on that scale, entirely irrelevant.
To my mind, there are no deities anyway. But if you believe there are, please consider this: it's silly to think that a god or gods could be emotionally fragile enough to be affected by our thoughts and behaviours, and even sillier to believe that people could or should have any role in enforcing godly rules. Silliest yet is that believers in a particular set of godly rules should enforce those rules on people who don't share the same belief.
Being a good person is worth doing for its own sake, and for the sake of our fellow creatures. Sometimes being good, or even simply being accurate, may require being blasphemous by someone else's standards. Today is a day to remember that.
Labels: controversy, linkbait, politics, religion, science
Bad Astronomer Phil Plait likes the photography of Annie Leibovitz, such as this ad photo for Louis Vuitton bags featuring astronauts Sally Ride, Buzz Aldrin, and Jim Lovell. Despite her fame and the excellent work she's done in the past, I find most of Leibovitz's current work aesthetically repulsive.
A bit of a rant here. Annie used to take good photos, and she still occasionally does, but her advertising work (including this picture) and many of her portraits long ago strayed much too far into over-Photoshopped territory. One critic even called a picture she created last year the worst photograph ever made, and I'm inclined to agree.
I think this would have been a much better photo with the same people, all of whom I admire, plus the same truck and the same bag, outside on a sunny day, maybe on the landing strip at Edwards Air Force Base. Maybe in black and white. The example here is overlit, over-processed, oversaturated, and ingenuine. Their facial expressions aren't that great. And yeah, if they're supposed to be looking at and lit by the Moon, it's in entirely the wrong place in the image. Even a non-nerd can probably detect that intuitively.
Compare her classic portrait of Whoopi Goldberg in the bath (11th down on this page) to her recent Photoshop monstrosity of Whoopi (second down on this page).
I admire surreal photography and well-executed photo manipulation, whether using Photoshop or high-dynamic-range (HDR) imaging. But Leibovitz isn't doing that. She and her team of assistants have manipulated the life out of her images. Much of her new stuff reminds me of velvet paintings of dogs playing poker. The astronaut ad is no exception.
Labels: controversy, photography, review, software
Christopher Hitchens was his usual bombastic and arrogant self on CBC's "Q" today (MP3 file). That's no surprise, since he is perhaps the angriest—or at least the most provocative—of the angry New Atheists who have had bestselling books over the past few years. Many religious people, and a good number of my fellow atheists too, think Hitchens's take-no-prisoners approach is wrong and counterproductive. Why, they ask, should atheists antagonize believers the way he and others, like Richard Dawkins, do?
"Q" host Jian Ghomeshi asked Hitchens a similar question today:
Tell me who you think your audience is, because you're quite aggressive with your argument. [...] If you really want to change things, it might take some effort to overcome organized religion in the world, but I'm wondering if [...] being a little softer in your approach might be more effective?
It's true that most atheists would prefer to be more conciliatory towards the world's religious majorities. But I think Hitchens and his compatriots serve a valuable purpose. With their polemics, their public profiles, indeed with their anger, they have made atheism visible in this new century, especially in America. Without them, we might not have heard Barack Obama's acknowledgment of non-believers in his inaugural address.
The angry New Atheists are like the activist vanguard of the LGBT rights movement, and of other civil rights movements before it. Not every gay person wants to march in protests, or make films outing hypocritical homosexual politicians. But the demands and self-righteousness of the vanguard are why same-sex marriage is a reality in Canada, and in several European countries and American states, today, rather than decades from now.
I grew up in an ostensibly secular Canada in the '70s, but we still said a prayer every morning in public school, and the Lord's Day Act prevented stores from opening on Sunday. Those rituals didn't offend me at the time, but as a non-religious youngster, I still felt like an outsider. The assumption seemed to be not only that everyone was religious, but that we were all Christians too. That has changed, largely because of Canada's increasing multiculturality.
High-profile writers like Hitchens and Salman Rushdie and Douglas Adams and Barbara Ehrenreich; scientists like Richard Dawkins and David Suzuki and Richard Feynman; comedians like Julia Sweeney and Ricky Gervais and George Carlin; musicians like Ani DiFranco and Mick Jagger and Eddie Vedder; actors like Omar Sharif and Eva Green and Emma Thompson and Ian McKellen and Katharine Hepburn; and others from Penn and Teller to Linus Torvalds to the MythBusters to Nigella Lawson—around the world, all profess their atheism.
In doing so, they affirm that the non-religious and non-spiritual among us are part of the full and honourable diversity of human society. So the audience for Christopher Hitchens need not be religious people he is trying to de-convert (even if that is his goal). Rather, it can be the millions of us who believe in no gods or spirits, and who are comfortable saying so, because Hitchens is shouting it too.
UPDATE: Biologist Jerry Coyne, who is outspoken in his assertion that science and religion are incompatible, has an interesting post on this same topic.
Labels: cbc, controversy, radio, religion, writing
Like most TV shows, The Oprah Winfrey Show is entertaining as its first goal. And like most men, I've rarely enjoyed it much—because it's not aimed at me. That's fine.
But when she discusses health topics, Oprah can be dangerous (here's a single-page version of that long article). You have to infer from her show that on matters of health and medical science, Ms. Winfrey herself doesn't think critically, taking quackery just as seriously as, or more seriously than, anything with real evidence behind it. For every segment from Dr. Oz about eating better and getting more exercise, there seem to be several features on snake oil and magical remedies.
Vaccines supposedly causing autism, strange hormone therapy, offbeat cosmetic surgery, odious mystical crap like The Secret—she endorses them all. Yet even when the ones she tries herself don't seem to work for her, she doesn't backtrack or correct herself. And, almost pathologically, she remains obsessed with her weight despite all her other accomplishments.
Obviously, anyone who's taking their health advice solely from Oprah Winfrey, or any other entertainment personality, is making a mistake. However, I'd go further than that. Sure, watch Oprah for the personal life stories, the freakish tales, her homey demeanor, the cool-stuff giveaways if you want. But if she's dispensing health advice, ignore what she has to say. The evidence indicates to me that, while she may occasionally be onto something good, chances are she's promoting something ineffective or hazardous instead. Taking her advice is not worth the risk.
Labels: biology, controversy, media, science, television
If you watched the news or read the paper last week, or surfed around the Web, you probably came across one or two or ten breathless news stories about Darwinius masillae (nicknamed "Ida"), a 47 million-year-old fossil primate that was described, over and over again, as a "missing link" in human evolution. It even showed up in the ever-changing Google home page graphic.
But something in the coverage—many things, really—set off my bullshit detectors. That's because, in years of watching science news, and getting a biology degree, I've learned that the sudden appearance of a story like this (whether a medical miracle cure, a high-energy physics experiment, or a paleontological discovery) indicates that something else is pushing the hype. Most often, there's solid science in there, but the meaning of the study is probably being overplayed, obscured, or misrepresented. And sure enough, that's the case here:
But, but, but, BUT...
And that's what it comes down to. It turns out that the U.S. History Channel paid what is surely a lot of money for exclusive access to the research team for a couple of years now, and that the TV special about Darwinius premieres this coming week. What's it called?
Yup, it's called The Link:
Missing link found! An incredible 95 percent complete fossil of a 47-million-year-old human ancestor has been discovered and, after two years of secret study, an international team of scientists has revealed it to the world. The fossil’s remarkable state of preservation allows an unprecedented glimpse into early human evolution.
That entire summary paragraph is crazy hyperbole, or, to put it bluntly, mostly wrong. By contrast, here's what the authors say in their conclusion to the paper itself:
We do not interpret Darwinius as anthropoid, but the adapoid primates it represents deserve more careful comparison with higher primates than they have received in the past.
Translated, that sentence means "we're not saying this fossil belongs to the big group of Old World primates that includes humans, but it's worth looking to see if the group it does belong to might be more closely related to other such primates than everyone previously thought." It's a good, and typically highly qualified, scientific statement. Yet the History Channel page takes the researchers' conclusion (not a human ancestor) and completely mangles it to claim the very opposite (yes a human ancestor)!
It seems that what happened here is that the research team, while (initially at least) working hard to produce a decent paper about an amazing and justifiably important fossil, got sucked into a TV production, rushed their publication to meet a deadline a week before the show is to air, and then let themselves get swept into a media frenzy that has seriously distorted, misrepresented, and even lied about what the fossil really means.
In short, a cool fossil find has turned into a PR stunt for an educationally questionable cable TV special.
Labels: controversy, evolution, linkbait, science, television
Lenore Skenazy's Free-Range Kids sounds like a fascinating book (she has an accompanying blog too). Her argument, essentially, is that the crime rate today is equal to what it was back in 1970, and kids should go outside alone, as they always did in human history. "If you try to prevent every possible danger or difficulty in your child's everyday life," she says, "that child never gets a chance to grow up."
Our daughters have been walking to school by themselves for awhile now, but they're not wandering the neighbourhood all day as I used to 30 years ago. They probably should, but I don't think the idea has even occurred to them. That despite the likelihood that today's environment has probably made our kids safer than any kids have ever been, particularly when you take disease prevention into account.
In Vancouver, though, we can blame this new parental paranoia on Clifford Olson, and it has spread across much of the Western world. I think Skenazy's instinct to let her nine-year-old son explore New York City alone last April—with a transit pass and some quarters for a pay phone if he needed them (he didn't)—is a good one. He wanted to try, and he was ready.
"We become so bent out of shape over something as simple as letting your children out of sight on the playground that it starts seeming on par with letting them play on the railroad tracks at night. In the rain. In dark non-reflective coats," writes Skenazy. "The problem with this everything-is-dangerous outlook is that over-protectiveness is a danger in and of itself. A child who thinks he can't do anything on his own eventually can't."
Our experience bears this out, in an odd way. The only injuries my daughters have ever suffered that required hospital visits happened, (a) stepping out of our bathtub, (b) bouncing on a bed, (c) being rear-ended in a crash in our car, and (d) scraping a chin at a swimming pool. In all cases, we were right there, and we didn't make them any safer. There are dangers in all of our lives, but they're not generally the ones we fear.
Labels: controversy, family, linkbait, news, newyork, probability
It's been just over 30 years since the Three Mile Island nuclear power plant had a partial meltdown. In many ways, Three Mile Island marked the end of the age of innocence for nuclear power, with the door slammed seven years later by Chernobyl.
I was nine, but tech columnist Bob Cringely was there. He says the accident happened because:
[The operators' job] was to follow the manual. All knowledge was inside the book. So knowing the book was everything. Unfortunately knowing the book isn’t the same as knowing the reactor.
How many of us, in the things we do, know the book but don't know the reactor? We know the processes, or the steps, but not the reasons behind them. But knowing how and why something works lets you handle the unexpected.
Labels: controversy, history, science
Mine is a pretty sensible country, just like our stereotype, but not always. A key example is our bizarre asbestos industry.
Asbestos is nasty shit: "All forms of asbestos," says Leslie Stayner, director of epidemiology and biostatistics at the University of Illinois School of Public Health, "cause both mesothelioma and lung cancer." Anytime asbestos is discovered in old construction here in Canada, the location is shut down for thorough removal of the mineral. Numerous countries around the world have banned use of the substance outright.
Yet in a few Quebec towns, asbestos mining continues, supporting about 500 jobs and bringing in about $100 million a year. (My wife visited one of those towns, Thetford Mines, on a French exchange when she was a kid and the industry was larger.) Since it's illegal to use here, our asbestos gets shipped overseas, to India, Indonesia, Thailand, and elsewhere where it's still permitted. There, it presumably kills people by giving them cancer.
The puzzling thing is that the Canadian government acts like it's still the 1940s, arguing that the form of asbestos we mine and sell, called chrysotile, can be handled and used safely. Perhaps it can, though it seems unlikely—plus I highly doubt construction projects in developing countries do so anyway.
Even our erudite new Leader of the Opposition, Michael Ignatieff, seems to have been cowed by the asbestos lobby, moving from a strong anti-asbestos position a couple of months ago to a "we need more research" stance. Yet we've known for decades that the stuff is a substantial, carcinogenic health hazard in all its forms.
It's sad to say, but if Canada's asbestos industry were anywhere other than Quebec, it probably would have shut down years ago, especially since it is now such a small part of our economy. Continued support from our two major federal parties, the Liberals and the Conservatives, seems to me a cynical political move, to avoid offending Quebec nationalists and the chrysotile lobby based in that province.
So one of our long-simmering domestic political quagmires keeps us selling a toxic mineral to the developing world. Not very sensible.
Labels: canada, cancer, controversy, environment, linkbait, politics
Last week's TidBITS has a great set of tips from Rich Mogull to evaluate Mac security claims, as to whether they're worth concern. (Some are.) Not sure how I missed it when it came out, but John Gruber highlighted it. The basic questions:
While a lot of claims of Mac vulnerabilities, exploits, viruses, and trojans are questionable, Mogull notes that, "The latest version of Windows (Vista, not that most people use it) is provably more secure in the lab than the latest version of Mac OS X 10.5 Leopard."
Incidentally, TidBITS is turning 19 this month—it is one of the very oldest Internet publications that has continued to operate that entire time. It remains a valuable resource for techies in the know. I can't even recall when I first subscribed, but I must be somewhere around 15 years as TidBITS a reader myself.
Labels: apple, controversy, macosx, security, tidbits
As far as I know, no actual or suspected terrorist has ever scoped out a potential target by walking around or in it in plain view, with a big camera and lens, and taking pictures. The 9/11 hijackers didn't, the U.S.S. Cole attackers didn't, the bombers of the London Underground and Madrid and Bali didn't. The FLQ kidnappers in 1970 didn't. Ahmed Rassam didn't. Suicide bombers in Israel and Iraq and Afghanistan don't.
So ads like this one, postered at SkyTrain stations here in Vancouver as the 2010 Olympics approach, bother me:
The theme of the ad campaign is "report the suspicious, not the strange." It's an odd slogan. What's the difference between, "Hey, that's strange" and "Hey, that's suspicious"?
And the examples it gives are ridiculous. In this particular instance, if you see a camera floating in mid-air with a translucent, ghost-like figure beneath it, you should apparently call a paranormal investigator. But if you see a man with a DSLR taking photos of the security camera in the station, report that to the Transit Police, because he could be a bad guy.
Here's the thing. Taking photographs in public places isn't illegal in Canada. (Is a SkyTrain station a public place? Interesting question.) Neither is it illegal in the U.S., nor in Britain—though laws are more restrictive in the U.K.
A U.S.-based lawyer has put together a quick PDF card about photographers' rights, and it's also interesting to note that TransLink itself has responded to photographers' concerns about the campaign:
Specifically, the image of the photographer is not intended to say photography and photographers are bad. It's intended to say that a person who is intently making records of specific transit security elements like cameras should raise a flag as suspicious activity.
...but:
They're taking pictures of wiring, pipes, electrical panels. Well, I'm sorry, not many people go around doing that.
Really? Sure about that? Hmm?
The problem, of course, is that while TransLink staff and police may understand that intention (I hope!), the implication is that if members of the general public see a photographer taking pictures of something other than friends and family, they should be suspicious and report it. In short, that they should be afraid.
There's a more general message in these types of campaigns, and the way some reporters and photography enthusiasts are treated by authorities, too: that big cameras with big lenses are particularly evil, as this satire notes:
I don’t want to be too technical, but the focal length of the lens is directly correlated with hatred of America. It goes something like this:
You have a a cell phone camera, point and shoot, or 20mm wide angle lens: you are a red blooded American who wants to celebrate our national heritage by taking pictures of popular tourist locations.
A 50mm lens: you are also, by and large, a good American, but you have a disturbing interest in “understanding” the terrorists and why they attack us.
An 85mm lens: you loathe your own country and secretly admire the 9/11 hijackers for giving us our comeuppance. You are not a terrorist, but your camera should probably be confiscated and your pictures deleted, lest they find their way to al Jazeera message boards. Your middle name may be Hussein.
A 200mm lens: you are an al Qaeda henchman actively scouting for security vulnerabilities.
A 300mm lens: you ARE bin Laden!
This approach, of course, is the very opposite of sensible. If terrorists really were checking out a target, they would probably work to be as surreptitious as possible. Use small cameras, like the camera phone I used to photograph the ad poster. Memorize things and sketch them out later. Steal plans. Not plop down a big-ass tripod out in the open and carefully compose an image with a huge DSLR and a monster chunk of lens mounted it. At the very least, all that gear would make it hard to get away quickly and unobtrusively.
You know what I think has really prompted this security theatre? Spy movies and TV shows. That's where you see the telephoto lenses in the hands of the bad guys, and the good guys, for that matter. (Then again, James Bond prefers small cameras.)
What this approach fails to notice is that those are fiction.
Labels: controversy, olympics, photography, terrorism, transportation
Most of these come via Jason Kottke or John Gruber:
Labels: apple, controversy, design, evolution, geekery, humour, language, mythbusters, politics, science
Buzz Bishop has a good point: if you measure the effectiveness of terrorism by the fear it generates and the behaviours it changes—the goals of terrorist organizations, after all—then the biggest terrorists are the news media. We humans, as usual, suck at evaluating risks, so TV, paper, and radio news often take advantage of us because of that.
Labels: controversy, fear, news, probability, security, terrorism
There's been a bit of hype over the new re-mastering of the Beatles music catalogue, for a new set of CD releases and a Beatles version of Rock Band coming in September. The press release says that Apple Corps. (the Beatles record companies) are:
...delighted to announce the release of the original Beatles catalogue, which has been digitally re-mastered for the first time...
(My emphasis.) That's a marketing lie. The catalogue was digitally re-mastered in 1987 for the first CD releases. It had to be. You can't make a CD (or any other digital music medium) out of analogue audio without digitally re-mastering it first. Unless EMI and Apple Corps. consider the 1987 occasion the "first digital master" and the new ones the "first digital RE-master," which is a "that depends on what your definition of 'is' is" kind of semantic distinction.
Mastering is the phase of audio production where you prepare audio files for their final medium. In the days of LPs, mastering engineers evened out the levels of different songs so their average volume didn't vary too widely, then applied various types of equalization to the master tapes, designed for the way record players were manufactured, and to prevent heavy bass frequencies from causing the needle to hop out of the grooves. Setting standards for those masters were one of the things the Recording Industry Association of America used to do before it turned to suing its customers for file sharing.
There would need to be different masters for cassettes or eight-track tapes, by the way.
Engineers mastering for CDs didn't have to worry about the groove hopping, but for music recorded on analogue equipment (i.e. tape machines), they did have to digitize it into ones and zeroes using what's known as an A/D (analogue-to-digital) converter, as well as still making sure the various songs were of comparable average volume. That's the digital re-master.
These days pretty much everything is recorded digitally, either directly in a computer or by digitizing signals from microphones and guitar cables right at the source, so for new recordings the digital master is the first one. Re-mastering might be done later to make it sound different—or, with a bit of irony, to convert it to analogue for special LP pressings or DJ vinyl singles. That would be an analogue re-master.
So it's true that these new Beatles CDs (and, with luck, eventually iTunes tracks) will be new digital re-masters, but they won't be the first ones. If you already have a complete collection of Beatles CDs from those 1987 digital re-masters, these new ones will probably sound different, maybe better. But they could sound worse.
The trend in the past decade has been to master or re-master pop recordings to sound way too loud, and to crush all the dynamics (the difference between the loud and soft parts) out of songs. That's why listening to a top-hits radio station, or a playlist of current top pop hits, can actually be physically exhausting. Your ears never get a break. It's called the Loudness Wars, and we've talked about it a lot at my Inside Home Recording podcast. While it has seen a bit of a backlash recently, the risk is that EMI's engineers might have succumbed to the trend.
It happened a few years ago, when Genesis released re-mixed and re-mastered versions of many of their albums (even in surround sound). The audio compression wasn't especially extreme, and the re-mastering was useful for some very early recordings and bootlegs with poor sound quality, but many of the band's well-known albums from the '70s and '80s sounded too modernized—and, for die-hard fans, simply wrong, almost like cover-band versions of the tracks, or the "Greedo shoots first" special editions of the Star Wars movies.
I haven't heard the Beatles results yet, but I find it encouraging that EMI has also gone to the trouble of making new mono re-masters of the Beatles catalogue as part of the current set. If they're willing to be that retro, I suspect they've probably avoided over-compressing the stereo mixes too. I sure hope so.
Labels: band, controversy, geekery, insidehomerecording, music